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This blog is a storage space for various thoughts, observations and musings centering on shōjo manga (少女漫画, Japanese comics for girls), josei-oriented manga (Japanese comics for women) and manga created by women (in the widest sense). Topics from other fields of relevance, such as music, art, literature and film may be discussed here as well.

PLEASE NOTE:
For the most part, Japanese names appear in their original order - surname first, followed by the given name.

For more detailed information about this blog, please visit the about clb.org page.

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This blog was relaunched recently. Some elements might not be fully working yet while others might be completely missing at the moment but will be added soon. Thank you for your patience!

Jyu Oh Sei

I had a tiny bit of time to watch anime which means I finally managed to finish Jyu Oh Sei! *applauds* Last year, my crappy old laptop’s CPU wouldn’t allow me to play the files so I’m really late with this one… But, it was worth the wait, at least partly. Watching the manga of one of your favourite artists (Itsuki Natsumi, in this case) come to life is always a great experience so I did enjoy Jyu Oh Sei when it comes to seeing those characters animated and hearing them talk and everything. The settings, BGM and colour schemes perfectly matched and created this really great bleak atmosphere. The animation itself was done really well (it’s an OVA anyway). The one aspect that really disappointed me was the pacing of the plot, though. Sometimes the narration would drag, whereas at other times they were obviously trying to put too much into one episode… It’s a shame really, because the whole series with all its interesting themes (cloning, gender roles/expectations etc.) suffered so much because of it!

But the one thing that made me cringe the most was that Saado’s/Third’s voice actor was Oguri Shun. He has this really distinctive, husky voice so that every time Saado was talking, that mental image of Oguri Shun in that white host-y suit he’s wearing in Hana yori dango (the complete opposite of what Saado looks like) kept popping up in my head.

vs.  

Nevertheless, I did enjoy the early 90s feel of the show which made me feel quite a bit nostalgic… (And for some bizarre reason, it made me want to watch Zetsuai and Bronze, not because of any BL hints of course o_O;)

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Categories: Anime, Film/TV, Various.
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Posted on Sep 14, 2007 (Fri, 8:00 pm).

Autofiction

The English translation of Kanehara Hitomi’s novel Autofiction is going to come out in just a few days through Vintage UK. I’ve already preordered my copy :) To celebrate the occasion I spent this afternoon re-reading her debut, Snakes & Earrings (which I’ve sort-of-reviewed here). This time I found it so much easier to relate to the three main characters and found the writing a lot more reflective than the first time. I think it has a lot to do with gained personal experience, my current mind set etc. And with that, my hopes for enjoying Autofiction just as much are extremely high.

Just by skimming through the reviews on Amazon Japan it becomes pretty clear that lots of readers seem to have difficulties with categorizing Kanehara’s writing. Is it pure literature? Is it entertainment meant to shock and sell? Is it literature at all or just plain trash? I’m not a friend of categorizations at all. Different pieces of art/culture/literature appeal to different people, you can love something and relate to it and feel that it reflects your own way of life and thinking, or you simply don’t. Kanehara’s stories truly aren’t made for a wide range of readers. (Though at least her debut was a huge commercial success after it received the Akutagawa Prize.) Only a small fraction of people probably can fully relate to her characters because not everybody is trying to find alternative ways of living or to take things to extremes. It is a kind of “alternative” literature that’s very controversial but definitely deserves to be called literature. (And that shocking, provocative nuance of her works definitely isn’t new to Japanese literature anyway, think Akutagawa, Tanizaki, Dazai Osamu, Murakami Ryuu etc.)

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Categories: Books/Literature/Writing, Japanese Literature, Various.
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Posted on Apr 29, 2007 (Sun, 4:01 pm).

The Tracey Fragments

I saw my first Berlinale 07 film earlier this evening: The Tracey Fragments by Canadian director Bruce McDonald (who was the only staff & cast member who attended the screening and took part in the Q&A session afterwards), featuring the wonderful Ellen Page as leading actress and a score by Broken Social Scene. The film itself was brilliant and unique, both plot-wise and visually. Shots from different angles weren’t arranged frame by frame but shown as smaller screens all in one frame, or blended into each other, using different filters and such. It looked really fresh and worked perfectly as an artistic tool to support the flow of the narration. The events weren’t told in a chronological order and sometimes it was hard to tell what was ‘real’ and what was only happening in Tracey’s imagination.
On the surface it might be just another film about a distressed teenaged girl but the complicated, outstanding plot and the unique visuals really make this movie stand out. I really enjoyed watching it, at least as much as you can ‘enjoy’ slightly disturbing movies like this. But it made me think and it made me appreciate the fact that there are filmmakers who make movies about and for people who are different.

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Categories: Film/TV, Various.
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Posted on Feb 11, 2007 (Sun, 11:07 pm).


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