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This blog is a storage space for various thoughts, observations and musings centering on shōjo manga (少女漫画, Japanese comics for girls), josei-oriented manga (Japanese comics for women) and manga created by women (in the widest sense). Topics from other fields of relevance, such as music, art, literature and film may be discussed here as well.

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Viewing all posts with tag: music: jpop



kannivalism – Comeback of the Man Eaters

Oh, I still like knowing what’s become of the (ex-)members of the bands I followed many years ago. Yesterday when I was browsing random music information sites, I came across the news that kannivalism are going to resume their activities very very soon!

Kannivalism are the band Ryo and Kei were in before baroque, the (over)hyped visual kei/jrock indies band that went major only to disband soon after, was formed. After baroque disbanded, Ryo and Kei revived kannivalism, Yuchi of k@mikaze (another not-so-visual vkei band that put out quite good CDs which I can still listen to today without feeling ashamed of myself) and Kiri from Porori (yet another fun not-so-visual vkei band that et cetera, blah blah, I ♥ed them) joined and they could have turned into my new favourite band except I had completely grown out of that sort of music. Their releases were good but nothing too exciting so I never really followed kannivalism. I wasn’t too surprised when they suspended their activities in January 2008. They were on Avex, Ryo and Kei were young and liked to have fun so I knew it wasn’t meant to last.

Now last week, on August 25, the band held a press conference at the Avex headquarters in Tokyo and announced they are ready for a comeback! This is what kannivalism look like in 2009:

Kannivalism shortly before their comeback in fall 2009

They have a new drummer, Mitsuya (far right in the picture above). Ryo who’s been suffering from adjustment disorder said at the press con that he’s doing fine now and wants to give his best now that they have a new member in the band. Even though Mitsuya’s younger than him, Ryo thinks he’s got a really strong attitude and comes across more like the singer in the band (sort of more like a band leader). Yuchi added that because of Mitsuya it really feels like a fresh start as a band and Mitsuya himself hopes the band’s going to be even better than before now that he’s joined them.

Kei also said at the press con that they and the record company have been thinking about changing the band’s name because it doesn’t exactly have the most positive meaning, obviously. He’s been wanting to ditch the kanniva bit and reduce their name to “ism”. The timing would be perfect now but they’re not sure if they really want to pull through with the name change.

Kannivalism have a full schedule for autumn and early winter including a new single and a concert:

– From September 9 on, kannivalism’s new song “life is” will be available for download as a full ringtone via mu-mo.

– On September 30, a solo mini album by Kei titled “for a fleeting moment.” is supposed to come out (also via Avex).

Ryo at the kannivalism press conference August 2009– On November 11, a diary-like book by Ryo will be published (by Random House/Kodansha – Avex often has tie-ups with Kodansha) chronicling his fight against his illness (AD). At the press conference he stated that he’s very optimistic now when it comes to his illness and hopes to offer a little bit of support to those people who’re suffering from a mental illness just like him. I think that’s a very admirable thing to do, especially in a society who likes to remain silent about people with mental problems. It’ll also offer a good explanation what he’s been going through when kannivalism was inactive. But at the same time, I can’t shake a certain feeling of suspicion because the book release is so conveniently placed before the band’s comeback… Anyway, I really hope Ryo is strong enough to keep kannivalism alive with the other band members. The entertainment industry probably isn’t the easiest surrounding to work in when it comes to stress but I wish him all the best!

– A week later on November 18 (yes, how convenient), a new single will be released.

– Shortly before the end of the year, on December 26, the band will play a comeback show at Zepp Tokyo.

– A new album, kannivalism’s second, will be released in 2010.

Well, well. We’ll see how that goes.
News link 1 & 2.

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Categories: JRock/JPop, Music, Various.
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Posted on Sep 3, 2009 (Thu, 12:35 am). .

Big Bang breaking charts record in Japan

I’m still a little bit blinded (positively!) by G-Dragon’s debut performance at Inkigayo yesterday. (Oooh, the stage design ♥ And *cringe* at the tomato pants.)

G-Dragon performing Heartbreaker at Inkigayo
G-Dragon in his super hot tomato pants during his Breathe performance at Inkigayo

And now that Big Bang are back in Korea and busy with musicals/promoting or recording solo albums/recovering from car accidents, their summer activities in Japan are crowned with a nice new sales record for overseas artists in Japan. I guess all the hard work and slight awkwardness during Japanese TV shows paid off really quickly:

Big Bang’s first Japanese major album “BIGBANG” debuted at #3 in the weekly Oricon album charts dated August 31, 2009. This makes Big Bang the first overseas artists ever to enter the Japanese Top 5 with their first three consecutive releases, i.e. their debut album, their first single (“MY HEAVEN”) and their second single (“GARA GARA GO!!”).

Meanwhile, their best of album “ASIA BEST 2006-2009” which was released on the same day as their first major album debuted at #20 in the weekly album charts. At the same time, it ranks 4th in the weekly overseas album charts.

Their live DVD “2009 Big Bang Live Concert ‘Big Show'” is at #1 in the Oricon music DVD charts and at #5 in the rental DVD charts.

In a thank you message to the fans posted on Aug 27 at the official Japanese blog their Japanese staff described Big Bang as a band who is – just two months after their major debut – continuing to make the transition from artists representing Korea to a band representing Japan and even all of Asia. They thanked the fans for all of their support which made it possible to achieve such a great success in Japan. Together with Big Bang themselves they want to work just as hard so the band can continue to be just as successful with their future Japanese activities and releases.

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Categories: KPop, Music, Various.
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Posted on Aug 31, 2009 (Mon, 6:15 pm). .

2×7 – NANA TV anime

The new anime season started off for me with NANA, which was also my personal most anticipated new series for spring ’06. This being the adaptation of one of my favourite shoujo manga, my expectations were extremely high.

The animation is being done be Studio MADHOUSE, who did a great job at Paradise Kiss, another adaptation of a Yazawa Ai manga, in the second half of last year.

And they did not disappoint me with NANA. Luckily, the first episode proved that the TV anime is not a pannel to frame adaptation but takes a bit of artistic freedom here and there by leaving things out, adding short scenes and showing scenes from a different angle than in the manga, so it doesn’t give the avid NANA manga reader the feeling they’ve “seen” it all before.
(Which is what happened to me with the NANA movie last year where some scenes seemed all too familiar, especially the scene on the train, the two Nanas’ first meeting, because it used the same angles as the manga and seemed to follow it pannel by pannel.)

The character design of the anime is good, but by no means as cute or beautiful as in the manga. Especially the profiles tend towards the ugly side of things, and a lot of times the full body proportions seem too stretched, even for a shoujo series.

The animation itself is quite decent, including the CG sequences which blend in rather well with the traditionally created scenes.

The music fits pretty well; the opening theme by Tsuchiya Anna and the ending theme by Olivia set the mood for the respective bands and these two vocalists symbolize the fact that NANA (like the original manga itself) is not about authentic (indie) rock or punk but just their mainstream versions (or how the mainstream perceives these genres).

What I’ve noticed after the first 5 minutes already, is that the TV adaptation relies heavily on comedy scenes, more than the manga. The background music (which sometimes reminded me of BGM to be heard during a circus show) emphasized that effect. There were more melancholic and quieter scenes but they definitely were fewer (and shorter) than those slapstick comedy scenes.

I am satisfied with the way they condensed the story, though Hachi/Nana doesn’t quite come off as the bad girl she really is as they left out a lot of her past (her affair with the married man etc.) but this was only the first episode and they might fit in bits of the background story at some later point.

The first episode aired late this past Wednesday so naturally, there aren’t any fansubs out yet. However, if your knowledge of (modern, everyday) Japanese is at a medium degree, you’ll be able to follow the dialogue pretty well. And if you’ve read the manga in Japanese (like me), you won’t face any difficulties at all because all the lines have been used in the manga and you won’t hear anything new.

Ah, I almost forgot: the voice acting! I love Oosaki Nana’s voice *_* Last year, I took really long to get used to Nakashima Mika’s voice who played Nana in the movie adaptation. Her voice sometimes seemed a bit too weak. Not with Paku Romi, the voice actress of the animated Nana :) She has this ultra deep, manly voice which is how I imagine it when reading the manga. And it’s when she speaks softlier that she sounds irresistibly sexy! So far, I really really like her. Hachi’s voice is alright and there’s nothing to be said about the rest of the cast because besides Shouji and Junko, no other main characters have appeared yet. Can’t wait for next week’s episode~

Here are some screencaps:



















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Categories: Anime, Various.
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Posted on Apr 7, 2006 (Fri, 1:34 am). .




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