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This blog is a storage space for various thoughts, observations and musings centering on shōjo manga (少女漫画, Japanese comics for girls), josei-oriented manga (Japanese comics for women) and manga created by women (in the widest sense). Topics from other fields of relevance, such as music, art, literature and film may be discussed here as well.

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For the most part, Japanese names appear in their original order - surname first, followed by the given name.

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Viewing all posts with tag: type: shoujo manga



Honey & Clover

Time passes way too quickly for me at the moment; the first week of May is already over! Which means it’s high time I started writing something about the new anime series that started in April. So here’s my impression of Hachimitsu to Clover, the new anime series I’ve been looking forward to the most this season.

The original manga series by Umino Chica is one of my favourite manga at the moment. I’m so in love with it! It’s been running in Shueisha’s Young You for slightly more than 3 and a half years now and it received the Kodansha manga award in 2003. The manga succeeds in combining light-hearted and often downright hilarious comedy depicting the everyday life of a group of art school students and some of their teachers with philosophical moments of bittersweet melancholy and romance that can move the reader to tears. Primarily, it is a manga for young women but it speaks a universal language that transcends boundaries of age and gender and thus appeals to both female and male readers from young teenagers to adults.

So last night, I watched the first two episodes of the Hachikuro anime TV series that is currently shown on Fuji TV. I was half-expecting something stylish but I was by no means prepared for something this perfect *_* Mind you, the first chapters of the manga were published in Cutie (before Young You picked it up), a fashion magazine for young women (and one of my favourite mags, too ♥), which means the series always had a artsy, fashion, lifestyle and music-related sort of background. So it’s no wonder that the anime adaptation is supported by fashion labels such as adidas, we and Levi’s. And the opening sequence is directed by Noda Nagi, an art&video director responsible for ad campaigns for a variety of fashion labels and music videos; it’s the weirdest anime OP I’ve ever seen. In a good sense :)
I don’t like the opening song too much because I’ve never been a fan of (ex-Judy and Mary no) YUKI’s voice, in fact I find it quite annoying ^^; But it fits the quirky, indie pop inspired atmosphere of the anime just perfectly.

The show itself is beautifully animated, the character designs are splendid and the voice acting is superb (though I don’t like the voice of Takemoto at all -_-). I’m really fond of the colours, they work very well together with the general atmosphere of the anime :)
The story follows the manga quite closely, though there are a few extra scenes and variations here and there.
They’ve preserved the hilarious slapstick scenes (oh my God, I LOVE Morita!!!) and even Hagu’s annoying-ness is just as bearable as in the manga. They could’ve made me hate her by giving her an overly cutesy voice actress but the voice she now has is quite alright. I’m also glad they introduced Yamada Ayumi right in the first episode and gave her a few extra scenes because she’s my favourite character (go Ayu!) and I think she’s the one most fans of the manga can identify with most easily.

And then, right in the first episode… a melancholic moment… a song starts playing – and it’s Hachimitsu by Spitz. ;__; (‹– Yuuya’s face during that scene)

That was the moment I decided this is my anime.

The ending theme song by Suneo Hair is much better than the OP, and the ‘insert song’ of the second episode by Suga Shikao came at just the right moment, just like the Spitz song.
The background music reminds me a lot of the Chobits BGM, with easy listening tunes that aren’t anything special but match the tone of the story really well.

The only weakness of the anime is the typical problem of books turned into movies. Things that are explained in the manga by a universal narrator who, unfortunately, isn’t present in the anime. Each episode of the manga ends with a philosophical little note that often foreshadows things to come. There is no such thing in the anime. So for example, when Takemoto’s stomach suddenly aches when he thinks of Hagu while carrying Morita on his back, it is left to the viewer to realise that this pain isn’t caused by hunger but by love, something which the narrator tells us in the manga (in a very sweet way).
But so far, this is the only negative thing I can note about the anime. And I’m so glad they’ve preserved the overall atmosphere of the manga and even enhanced it with elements such as beautiful colour schemes and (not so) indie guitar pop songs.

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Categories: Anime, Manga, Music, Various.
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Posted on May 8, 2005 (Sun, 10:21 pm). .

Itsuki Natsumi

I read volumes 3 and 4 of Itsuki Natsumi’s Demon Sakuriido and I’m starting to become very very fond of this manga. I really liked the first volume, was hooked by the second and now I’m just loving it :)

I cannot praise Itsuki Natsumi enough for being such a versatile mangaka. Whereas Yakumotatsu is a dark historic horror epic, Demon Sakuriido appears to be much lighter on the surface but damn, those characters with all their dark pasts and their secret angst are breaking my shoujo manga fangirl heart! Also, her character designs are getting more and more gorgeous with every new installment. The male characters are irresistibly handsome!

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Categories: Manga, Various.
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Posted on Mar 4, 2005 (Fri, 1:21 am). .

Melancholy And The Infinite Sadness – Aikawa Natsu quitting

I got a manga order yesterday which included the 3rd and last volume of Happy End, a wonderful series by Aikawa Natsu whose manga are usually very melancholic but beautiful. The first part of the series ran in Bessatsu Margaret (Betsuma) but later it was moved to The Margaret (also published by Shueisha, a sister mag of Betsuma). I was quite sad about this because I really liked the manga as it wasn’t just average, shallow romance stuff. I thought it was really interesting to read about the life of an aspiring mangaka because it’s that side of manga you rarely get to read about – the life of the creators. It’s a truly moving story about adolescence, realising one’s dreams and finding one’s place in the world.

I sort of expected that the majority of the readers of the magazine would find it too quiet and melancholic and I was probably right. On the last few pages of the book, Aikawa writes about how she struggled to create that title she’d always dreamed of but how she encountered a lot of problems during the serialization.
She knew Happy End was a bit different than her previous titles (which are all short stories) and I feel the same about it: It is so much more like real life, it’s incredibly moving and touching and beautiful and serious without ever being cheesy at all. It’s so mature. And that’s probably what the majority of the Betsuma readers couldn’t get used to.

I’m a bit disappointed in both the magazine editors and the readers. It’s the readers who decide which manga keep running in the mag because there are enquete cards in every issue of it. I have the impression that shoujo manga that’s poetic and meaningful and disturbingly shocking or cheesy is just not as popular as the romance stuff that’s mainly running in Betsuma. But hey, let’s face it, to most people manga is just entertainment, and I can’t blame them for that…

The worst part of it all is, though, that Aikawa Natsu writes in the last paragraph of the last page that she is not drawing/writing any manga at the moment and that she never will do so again in the future. It was such a shock to read that. I really love all of her works and that makes me a very very sad Aikawa fan ;_; I hope she finds the right way for herself to express her creativity and to live a very happy, satisfied life. She really deserves it. ♥

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Categories: Manga, Various.
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Posted on Feb 18, 2005 (Fri, 12:37 am). .




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